William Gilbert - Further Information
The Current State of Research
Interest in William Gilbert has been largely confined to scholars of English literature specialising in the Romantic era. Specialisation creates problems of linkage. Until Gilbert's name is better known, a researcher within a different discipline will not recognise the name and connect the two fields of activity. For example Patrick Curry's excellent historical survey Prophecy and Power: Astrology in Early Modern England, (Cambridge: Polity Press, 1989) mentions a William Gilbert offering tuition in the 'production of magico-astrological talismans' in 1790's London, but makes no link with the William Gilbert known to the world of literary scholarship. Prior to Marsha Keith Schuchard's ground-breaking 1999 paper presented here, the literary world was totally unaware of Gilbert's previous part in the Millenarian London of the early 1790's and of his essays in The Conjuror's Magazine. Too much discovery consists in finding out what someone in an unconnected field already knew; the purpose behind this website is to enable researchers in different areas to realise such points of connection. Any omissions will gladly be added to the list.
Paul Cheshire, February 2007
Brief Bibliography of Works on Gilbert
Modern Studies
Cheshire, Paul, 'William Gilbert's Date of Birth' (www.williamgilbert.com)
A dispute with a rival astrologer in the Conjuror's Magazine is used to establish Gilbert's date of birth available here.
---------- 'The Hermetic
Geography of William Gilbert', Romanticism 9.1 (2003) pp 82-93.
Kaufman,
Paul, '‘“The Hurricane” and The Romantic Poets’ English Miscellany
21, (1970), pp. 99-115.
Oxford Dictionary of National Biography - Richard Garnett, 'Gilbert,
William (b. in or after 1760, d. c.1825)' rev. S.C. Bushell (Oxford University
Press, 2004) [accessed 8 Nov 2004:
http://www.oxforddnb.com/view/article/10706 ] .
Schuchard, Marsha Keith,
'Rediscovering William "Hurricane" Gilbert: A lost voice of revolution and
madness in the worlds of
Blake and the Romantics'.
Nineteenth Century Study
'William
Gilbert's Hurricane', Retrospective Review 10 (1824), (London:
Charles Baldwyn) pp.160-172.
Primarily a study of the metaphysical theory of continents underlying The
Hurricane, noting parallels with a 17th century hermetic tract by Michael
Maier, and Swedenborg's writings, but waking up halfway through to how Gilbert's view of
Africa could be linked to his background as son of an Antigua slave
plantation owner.
(See
The Hermetic Geography of William Gilbert - Edinburgh University Press)
Much valuable bibliography and good on Gilbert's influence on the romantic
poets, but the article loses focus when it drifts off into a history of
theosophy that has little to do with Gilbert or his period.
The information for this
article is derived from Gilbert's Bristol contacts, Cottle and Southey, and
replicates their misunderstandings, conjectures and errors. I have been unable
to trace the unpublished Robert Southey 1824 letter to W. Sidney Walker cited by
Garnett as a source of biographical information, but I suspect that the
biographical notes in the 1824 Retrospective
Review (see below) are based on it, or on another Southey letter
written at the same time.
A 1999 conference paper,
available here.
A groundbreaking study of Gilbert's previously unrecognised links with 1790's
millenarians, Freemasons, and Swedenborgians, and possibly William Blake.
Although subsequent discoveries have made this article
biographically unreliable in places, and some links are not sufficiently
substantiated, Schuchard's extensive specialist research ensures that her
article provides a vital introduction to the occult underworld that Gilbert
inhabited.
This is the only known literary study of Gilbert and his work from the
nineteenth century. Its anonymous author claims to have been provided with
information by someone close to the poet. 'Of its author, William Gilbert, the
little we have collected is chiefly from the information obligingly furnished to
us by a distinguished literary character, an early friend of the author's, and
by whose occasional notice of the work before us, concurring with a similar
testimony from another quarter, our attention was directed to The Hurricane.'
Much of this information appears in the DNB article, and with the coincidence of
the year, it is highly probable that Southey is the source. Long extracts from
Gilbert's poem are given; the analysis is brief but sympathetic.